

Word on the street has it that the style of the twenties is going to be huge this year, and I for one couldn't be more delighted. Although I don't much suit the shapeless, drop-waist look we immediately associate with the era, there's a lot of inspiration to be had from the fashion, art and literature of that time.
Spurring on the resurgence are recent films Midnight in Paris, Woody Allen's tribute to and send-up of nostalgia, and The Artist, and Baz Luhrman's already hotly-anticipated version of The Great Gatsby, due out in December. Style-wise, I particularly liked The Artist, as it also featured looks from the early 30s, when the severeness of the twenties' silhouette had relaxed a little, but when simplicity with exquisite details was still the order of the day. I would wear in an instant Berenice Bejo's white dancing dress and dainty headpiece, below.


Partly, the twenties are a satisfying decade to contemplate from a safe distance due to the aggressive celebration of youth and exuberance, always tainted slightly in retrospect by the knowledge that it was all really decadence hovering on the edge of a decade-long depression and the rise of fascism. The American twenties are presented as being all jazz, dancing and sparkle (actually quite an accomplishment considering it was the era of prohibition) but reading the works of F. Scott Fitzgerald one is immediately aware of the pretense, closet alcoholism, fear of aging and even mental illness lurking behind a sea of golden-haired girls and rich men.


Even more fascinating than the brash and brassy American experience though, is Germany's Weimar Republic, which lasted from 1919-1933. I love the creepy-fabulous depictions of nightlife in Berlin, as examplified by Otto Dix and the recently-discovered (by me) Jeanne Mammen(second picture) and love reading the novels and stories of Christopher Isherwood, set as German democracy crumbles and Hitler takes power, amongst a cast of strange and sad men and women. His novel Goodbye to Berlin was the loose inspiration behind the film Cabaret. The years of the Weimar Republic were tumultuous and difficult, but also very much a time of living in the moment... because probably hyperinflation would render your savings worthless by tomorrow.
I'm not exactly sure where I'm going with all this... except that I'm looking forward to channeling a bit of that madcap energy this year!

























